Alright, let’s get one thing straight about Angine de Poitrine. These so-called “Poitrine brothers” aren’t just making music; they’re tearing holes in the fabric of spacetime and stitching them back together with a searing-hot bassline. And their second dispatch, the aptly named Vol. II, is the raw, documented proof. This isn’t some polite sophomore effort. This is a dense, chrome-plated knuckle-duster of a record, a high-impact statement that lands with the force of a wrecking ball hitting a disco ball.

Forget what you think you know about genre fusion. That is something else entirely. It’s the sound of a wormhole opening up in a grimy Berlin basement, sucking in the swagger of a ‘70s rock god, the relentless 303 pulse of pure acid techno, and the shimmering, ecstatic joy of classic disco. They don’t blend the ingredients; they slam them together at high velocity. The result is a sound that’s brutally efficient, built with a no-frills intensity that’s as exhilarating as it’s disorienting. The dynamics are sharper, the structures twist in on themselves like Escher drawings, and there’s a wry, almost menacing sense of humor lurking just beneath the surface if you’re brave enough to listen closely.

This isn’t background music; it’s a full-body sonic baptism. The grooves on this slab of vinyl are cut deep, and for good reason—they have to contain the sheer propulsive energy packed into every single rotation.

Sure, you’ve probably heard the opener, “Fabienk.” The track has practically become global public property, a permanent fixture on Shazam charts, and for good reason—it’s an undeniable monster. But let me tell you, that’s just the welcome mat. It’s the hook to pull you into the glorious, beautiful chaos that follows. Hearing Vol. II on vinyl for the first time is the only way to truly understand the mission. You can feel the kick drum in your chest, the acid squelch in your teeth. You can sense the sheer physical weight of the sound that the Poitrine brothers have wrestled into submission.

Released by the sharp ears at Ato Records, this single-disc powerhouse is finally getting the wide vinyl release it has always deserved. This is your chance to own a piece of the paradox, to drop the needle and feel the timeline buckle. It’s a trip, a challenge, and one of the most vital rock—and-not-rock—records you’ll hear all year. Don’t just stream it. Inhale it. Get the vinyl.

Alright, let me tell you something about Angine de Poitrine’s “Vol. II” – this isn’t just another record you add to your collection. It’s that rare vinyl that changes the molecules in the room when you drop the needle.

I first encountered the enigmatic “Poitrine brothers” at a basement show in Berlin where the floor literally trembled beneath our feet. The crowd moved as one organism, pulsing to their peculiar alchemy of acid techno, disco, and raw, unapologetic rock. That night rewired my understanding of what dance music could be.

Their sophomore effort “Vol. II” doesn’t just continue where they left off – it catapults their sound into uncharted territory. Dense and muscular, it strips away anything unnecessary while somehow managing to be more expansive than their debut. The album has that rare quality where each listen reveals something you missed before – a buried synth line, a whispered vocal, a joke hidden in plain sight.

“Fabienk” – the opener that’s currently conquering Shazam charts worldwide – hits like a freight train of euphoria. There’s a story floating around that they recorded it in a single take at 4 AM after a 36-hour studio session, capturing that delirious energy that happens when exhaustion transforms into something transcendent.

If you’re the type who believes music should be an experience rather than background noise, this album demands your attention. For fans of Chemical Brothers, Justice, or LCD Soundsystem, the “Poitrine brothers” offer something both familiar and utterly alien.

What makes this duo so fascinating is their time-traveling aesthetic – at the same time retro and futuristic, as though they’ve studied every era of electronic music and decided to compress it all into something entirely new. Their structures defy convention, zigging when you expect them to zag, creating moments of genuine surprise in a genre that can sometimes feel formulaic.

This pressing marks the first wide vinyl release, finally allowing the warm analog qualities of their production to breathe as intended. The brothers reportedly mastered it specifically for vinyl, insisting certain frequencies only truly reveal themselves through the physical medium.

Like all great records, “Vol. II” creates its own universe and invites you inside. It’s for late-night drives, for moving your furniture aside to dance, for closing your eyes and letting the soundscape wash over you. It is for people who still believe music can take you somewhere else entirely.